In the Sakyu 砂丘 table in solid white maple, Fenhann continues his exploration of the mathematical sine curves which he also used for his Sakyu - bench.
The table has a strong kinetic appearance, the curves creating a highly rhythmic surface with resemblance to a sandy beach or a close-up of a vinyl record. The proximity of the curves makes it possible to place a glass on the table, keeping intact the perfect balance between function and form.
This piece is designed for the solo exhibition “From honeycombs to Pyramids” at Galerie Maria Wettergren in Paris - 2022
The project was supported by the Danish Art Foundation
Limited edition by Galerie Maria Wettergren
Otto Busses Vej 31, Bygn. OBV100 2450 Copenhagen Denmark